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Sacred Bones Records

Anthology Resource Vol. I: △△

by Dean Hurley

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Dario Blas Ierino
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Dario Blas Ierino World class ambient pieces. You get deep into the mystery that is Tween Peaks. Favorite track: Night Electricity Theme.
Boma Ye
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Boma Ye Being honest here, I like to put this on while I'm going about my day and pretend I'm actually in the Lodge. Also reminds me of the old BBC sound effects records which is a good thing. Favorite track: Eastern European Symphonic Mood No. 1.
Marcos
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Marcos Like said by another user, can't help but feel that this is the real soundtrack to The Return. Superb dark music from one of the current masters of sound design and production. Please do release a Vol. II! Favorite track: Eastern European Symphonic Mood No. 1.
Mathieu Lalonde
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Mathieu Lalonde The REAL soundtrack to Twin Peaks Season 3 Favorite track: Night Electricity Theme.
Dickson Payne
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Dickson Payne Excellent sound production. Extremely evocative of the world of Twin Peaks The Return.

I check back regularly to see if another volume has been released.

Highly recommended album, particularly if you are a fan of Twin Peaks. Favorite track: Tone / Slow Speed Prison / Low Mood.
Iain Kirk
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Iain Kirk These sounds are so distinct, the show practically plays in my head when I listen. Favorite track: Electricity I.
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about

Although Twin Peaks: The Return has hosted an array of Roadhouse performers and spotlighted music throughout its new season, a large part of the show’s sonic identity has been defined by the space between sound effects and music. Sound and music supervisor Dean Hurley’s first installment of the library-style Anthology Resource series showcases his original ambient music contributions featured in the show’s very distinctive-sounding third season. (You might also remember Hurley as the drummer from the fictitious band Trouble, alongside Alex Zhang Hungtai of Dirty Beaches, and David Lynch’s son Riley, who performed at the Roadhouse in "Part 5" of The Return.)

Sound and music supervisor Dean Hurley has operated David Lynch’s Asymmetrical Studio for the past 12 years, collaborating extensively with Lynch on a myriad of his film, commercial and music-based projects. In addition to his sound and music supervision for both Inland Empire and Twin Peaks: The Return, Hurley co-wrote and produced four full-length LPs with Lynch: The Air is on Fire (2007), This Train (2011), Crazy Clown Time (2011), and The Big Dream (2013). Hurley’s music production has also extended to artists like Lykke Li, Dirty Beaches, Zola Jesus, and The Veils.

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released August 6, 2017

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Dean Hurley Los Angeles, California

For over 12 years, sound and music supervisor Dean Hurley has exclusively operated Asymmetrical Studio; director David Lynch’s own film-dubbing and recording studio in Los Angeles. He has collaborated closely with Lynch on a myriad of his film, commercial, and music projects, including most recently Showtime’s 18-episode Twin Peaks: The Return. ... more

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